Calavera, you should archive these into one thread!
Rollback Post to RevisionRollBack
"I want to say something but I'll keep it to myself I guess and leave this useless post behind to make you aware that there WAS something... "
-Equinox
"We're like the downtown of the Diablo related internet lol"
-Winged
I have to second this. The composition is great, and both characters are perfect. You have such an efficient style and its amazing how much you can convey with just a few brush strokes and a simple pallete.
EDIT: That's not just panel 3, but especially panel 3.
Panel 3 works perfectly, but only because of the previous panels.
It's a sequence of motions carefully planned. Let me explain you how it works.
The first panel displays action happening "in the middle", were both actors collide in the action. A chat bubble appears as the result of this clash.
Second panel separates the actors, taking the action to different places of the frame. One of the characters (ferret) remains the same, nothing happens there, so we're drawn to the other side of the panel. Far away a new action happens (Bosom inspection), that will keep the attention of the reader on the right side of the panel. Hopefully, if a male is reading the comic, he will be staring at the cleavage for a while..
Then we get to the third panel, where a big strong red heart appears in the other side of the frame. We're forced to look at the red dot, for our eyes and brain are normally stimulated by this color, and we tend to stare at it immediately.
That stimulus and reaction event was placed intentionally, so the reader would feel the same urge as the character to quickly gaze at the other side of the panel.
We see it's a heart, we recognize what it stands for, and then we look down at the lustful roguish grin of the Demon hunter.
In that moment, if your moral codes are working correctly, you will feel the urge to kick the demons hunter ass!
That leads us to the final panel, were our previous idea has already happened.
Now, why does the third panel works? Because it's the triggering pivotal point were the reader synchronizes with the main actor of the motion script.
Here's the Super Diabolesques Valentine's Day Special!!
Featuring the brand new Character:Klya Bash, the Barbarian!
art by Ismael Bergara
Have a happy valentine's Day with your special someone!!, or your computer, or your beta account, or your pets, or yourself.... or a smurf...
Oh, she's in for some barbarian snu snu, it's just that He's not her type ;P
Of course Not!
Unless some money magically appears in my pockets..
-Equinox
"We're like the downtown of the Diablo related internet lol"
-Winged
What do you mean? like.. making one big massive thread with all the Diabolesques episodes?
Nah, let somebody else do that, it's not my style.
I like having my stuff spread up ;P
Edit: Man, Curse really have to fix the sig bug that make the rep button unresponsive...+1 for Cava btw
Best Valentine's gift Evar :B
Great work yet again!
This is also win:
Pretty much what my night was like, but I didn't have a fancy glass for my wisky.
@Calavera666
That's a nice one! Keep up the good work!
Valentine's Day is one of those days that are dumb.
:: Enkeria [Twitter / Twitch / Website / Tattoos]
You're gonna hurt her feelings. And she's gonna hurt you.
Besides, she can do incredible things with that jaw of hers ;P
Totally true, she can also stick potions in there!
I have to second this. The composition is great, and both characters are perfect. You have such an efficient style and its amazing how much you can convey with just a few brush strokes and a simple pallete.
EDIT: That's not just panel 3, but especially panel 3.
It's a sequence of motions carefully planned. Let me explain you how it works.
The first panel displays action happening "in the middle", were both actors collide in the action. A chat bubble appears as the result of this clash.
Second panel separates the actors, taking the action to different places of the frame. One of the characters (ferret) remains the same, nothing happens there, so we're drawn to the other side of the panel. Far away a new action happens (Bosom inspection), that will keep the attention of the reader on the right side of the panel. Hopefully, if a male is reading the comic, he will be staring at the cleavage for a while..
Then we get to the third panel, where a big strong red heart appears in the other side of the frame. We're forced to look at the red dot, for our eyes and brain are normally stimulated by this color, and we tend to stare at it immediately.
That stimulus and reaction event was placed intentionally, so the reader would feel the same urge as the character to quickly gaze at the other side of the panel.
We see it's a heart, we recognize what it stands for, and then we look down at the lustful roguish grin of the Demon hunter.
In that moment, if your moral codes are working correctly, you will feel the urge to kick the demons hunter ass!
That leads us to the final panel, were our previous idea has already happened.
Now, why does the third panel works? Because it's the triggering pivotal point were the reader synchronizes with the main actor of the motion script.